Fashion, Haute Press, Luxury, News

Editorial Throwback: How Attainable Luxury is Changing the Market

JimmyChoo 300x298 Editorial Throwback: How Attainable Luxury is Changing the Market

The World Wide Web has given way new online culture of fashion addicts who love the finer things in life but don’t necessarily want to pay full price for them. This new demand for luxury goods at discounted prices is playing a huge role in the diminishing returns traditional retailers are seeing. Department stores like Barneys and Bergdorf Goodman can hardly compete with companies like Gilt.com and BillionDollarBabes.com. Luxury resale is growing market as well. A swift fashionista can pick up a gently worn item over at Portero and save a huge chunk of change.

As luxury marketers and consumers we have to wonder what this means. Has luxury lost it’s exclusivity?

I would say absolutely not. Though marketing of luxury goods is changing, exclusivity is something that is determined by stable, consistent prices and scarcity of goods. If the “true” luxury brands refuse to discount, then luxury can stay exclusive. Some brands discount for the sake of moving stale merchandise. Even Jimmy Choo, one of the most popular luxury handbag and shoe brands, hosts a sample sale twice a year.

It’s important not to forget the emphasis that luxury brands must place on quality and craftsmanship. What sets a luxury brand apart from its cheaper counterpart is its distinct elegance, that stands out among lesser quality goods.  True luxury brands are timeless and transcend trends. When determining if something is luxurious many point to the price tag. However, I would ask myself a few other questions as well. For instance, how long will the product last? Will it get better with age? Is it an heirloom piece or more of a trendy item? Where did it originate from? Are the textiles trustworthy?

Many marketers try to pass non-luxury items off as luxury pieces in an effort to add value and prestige. We are all familiar with knockoffs and luxury “inspired” goods. One of the many factors contributing to diminishing value of luxury goods is knock-offs. When a consumer is paying a low price to obtain a luxury knock-off, the value of the original item depreciates.  The rat race to sales and immediate accessibility combined with the global presence of the online realm has led to a marketing “Catch 22″: if a brand presents a product online for the sake of the sale, it  makes itself vulnerable to knock-offs and replications. What’s a luxury brand to do? I would say it’s important to concentrate on authenticity, or focus on an element that cannot be easily replicated by a competitor.

The lines between the authentic and the faux-luxe are blurred, and the inundation of affordable luxury goods and knock-offs into the luxury world is making it more and more difficult to distinguish the two. If luxury is more readily accessible, so what? People are still buying luxury goods, but the economic climate and market have changed. Consumers are still vying for the same luxury items as before the market tanked, they just want them at a better price point. Most luxury brands are dependent on their loyal customers with whom they have built lasting relationships, so if the brands don’t discount they can still stay in the market. The only proven way to maintain brand equity is to refuse to discount, and the only way to keep some customers is to give them a break. So what’s a luxury marketer to do? Perhaps luxury marketers should be more creative with their marketing tactics and more careful with the placement of their goods.

Keep in mind, exclusivity isn’t tangible, it’s more of an intrinsic quality or an idea. Luxury is about an experience, so as long as the brand provides a unique experience for the consumer, it can still stay afloat in this economic climate. It’s really a matter of defining one’s market and sticking to it. If the brand is aiming for the luxury market, it’s important to narrow the scope, and do what it takes to retain customers.

Though discounts may not be an option, diffusion lines are more popular now than ever. Some designers see diffusion lines as the end of their careers, while others see them as mass marketing opportunities. It’s all in how a brand structures its marketing initiatives and the way it reaches customers. After all, Luxury isn’t in a price tag, it’s in the feeling one gets from owning something that enhances one’s lifestyle. Enjoy icon wink Editorial Throwback: How Attainable Luxury is Changing the Market

A good read Deluxe: How Luxury Lost its Luster http://www.amazon.com/Deluxe-How-Luxury-Lost-Luster/dp/1594201293

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Africa, Fashion, Haute Press, Johannesburg, Photogenic, Style Profile, The Industry

Style Profile: Carla Fernandes, Africa-Vogue.com

Carla Fernandes Photo Shoot 785x436 Style Profile: Carla Fernandes, Africa Vogue.com

After months of chatting it up with Carla Fernandes, she’s become a virtual sister and friend residing in Africa. Born in Maputo, Mozambique – raised in Johannesburg, and after working at Jimmy Choo, South Africa, she began to gain exposure to luxury brands such as GANT and PRADA, as they were all under the South African holdings company AVI LTD. Carla also kept an online journal as a hobby (like most of us) and fell in love with online interaction and editorial.

After immersing herself in the culture of luxury and pondering Africa’s rich history she felt the need for a different kind of challenge. Her family still lived back in Mozambique so she decided to seek an opportunity there. Mozambique, of course came with the benefits of learning so much more about her roots. She indeed got way more than she bargained for–leaving South Africa entirely was probably the biggest challenge yet. So, she decided to prioritize education once again, and considers it her greatest investment to date. She is currently doing a BA in International Relations and Diplomacy and studying correspondingly through the University of South Africa (UNISA). She chose this degree due to her huge sense of leadership and passion for Africa, a better Africa, the evolving Africa. She hopes to someday be able to work with various foundations and organizations globally to help the fight against the devastating negatives that come with poverty in Africa. It’s the more serious and intellectual side of fashionable woman I know.

Her unquenchable thirst for helping her mother country fused with her love and passion for fashion surmises her daily life. When she left Cape Town, she felt as if she left everything behind…the thrill, the rush, the glitz, she missed it, I missed it all. Fashion, marketing, media and PR, all this left pending question marks…since she could not find a place or a platform to quench her thirst for more luxury, fashion and glamour in Mozambique, she decided to create one.

“After an online meet with POSHGLAM.com’s Kimberly E. Stone , I was most inspired to get on this venture. Started off as nothing serious until I realized the sort of impact it can potentially have in the Mozambican market and maybe even the African Market. This could ideally turn into my first business venture – so I thought.”

She is now a Young African Entrepreneur, Founder of Africa–Vogue.com – with this platform she hopes to fuse her two worlds. Whit that being her goal and to create an emphasis of the importance in Social responsibility and philanthropy along with her undying passion for fashion, lifestyle and Media PR. She strongly believes that if “We as Africans don’t create our own mediums to portray what is ours and tell our very own stories, someone else will…and probably not the right way.”

Carla hopes to aspire to inspire young female entrepreneurs, whether they are in the corporate field or in the fashion industry…

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Celebs, Fashion, Haute Press, News, The Industry

Charlize Theron wears @Ferragamo on the June cover of @InStyle

Charlize Theron Ferragamo Charlize Theron wears @Ferragamo on the June cover of @InStyleWhen we think of Charlize Theron, one thought comes to mind “Less is More”. She manages to effortless weave in and out of fun & fearless fashion without screaming it from the rooftops…and that’s laudable. After all, who really wants to hear her scream fun fearlessly from the top of the nearest anyway?

A little Ferragamo dressed birdie has informed us that she’s wearing their Spring Summer 2012 Runway RTW Look 35 (see collage) designed by Creative Director, Massimiliano Giornetti, while gracing the cover of June’s InStyle. Hmmm, I guess that means this bronze metallic ensemble for the story “Fiercest One of All” will soon-to-be enjoyed by the masses. The look was styled by celebrity stylist Leslie Fremar and photographed by Michelangelo Di Battista. Well, we’re a wee bit impressed, hopefully the mag will prove to be as amazing as the gorge cover shot…

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Blurbs, Eye Spy, Fashion, International, London, Luxury, Man Of Style, Men, News

Men of Style: Notables in Burberry Tailoring

Burberry Men Men of Style: Notables in Burberry TailoringChris Hemsworth, Hugh Dancy & Ryan Seacrest wore a Burberry tailoring to events recently. It seems the Burberry suit is a staple go-to item for men looking to polish up and prep out. Most men describe dressing as a chore, it’s nice to see these Men of Style clean up so well. Burberry’s classic look sets the tone for immaculance and handsome dress without coming across as stuffy or stiff. We find the brand to been fresh, on trend and perfectly tailored.

CONSTRUCTION PROCESS:

CUTTING THE FABRIC
The fabrics are hand cut by professional tailors

CANVASSING
Burberry suits use half canvas panels
The canvas holds the shape of the suit and keeps it from losing shape
The canvas is cut to the jacket’s shape and then wool is stitched to the canvas
Over time, the canvas conforms to your body’s shape, creating the perfect fit

ENGINEERING THE PERFECT SHOULDER
The shoulder is an area of focus for demonstrating the quality of a suit
There should be no ‘puckering’ or ‘drag lines’ in the fabric; the shoulder should be clean, smooth and completely three-dimensional
This is achieved using the ‘basting technique’ – machine-sewing processes completed over specially developed rounded stitching molds, helping to create contours

ENGINEERING THE BREAK LINE
The area where the lapels are buttoned together in a ‘V’ shape should not be pressed flat, but should curve gently
This is achieved using a special sewing machine with a rounded needle
This needle emulates the tailor’s hand and gently turns the fabric as it is sewn, giving a gentle curve effect

SPECIALISED STEAMING AND PRESSING
Burberry suits are three-dimensional and have fluidity and movement
To achieve this, a number of specialised pressing moulds that emulate the human body are used during sewing and finishing
40 pressing processes take place to achieve the three-dimensional effect – 20 presses take place during the construction of the jacket and 20 take place when the jacket is finished

HAND STITCHING
Sleeve linings are all hand sewn into the garment
The collar is hand sewn ensuring a smooth, clean fit around the neck

For more on Burberry, check out:  Burberry.com

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Accessories, Blurbs, Cheap & Chic, Emergent Design, Guest Design, Haute Press, Lovit, New York, News, Shop

Guest Design w/Mass Appeal: Opening Ceremony X Soludos

Opening Ceremony Soludos 785x475 Guest Design w/Mass Appeal: Opening Ceremony X SoludosGotta love Opening Ceremony, whose support of Soludos helped catalyze the brand since launch. The dynamic duo decided to couple their taste and design a colorful collection with out-of-the-box flair and exclusive looks. The fabrications include brilliant neon stripe linens, natural raffia, and cool perforated leathers. With custom built-in comfort, and specially added design details–the collection is  sure to be both coveted & a great casual pick for summer. From beach weather to strolling the boardwalk, the Soludos x Opening Ceremony shoes are sure to rock & roll out quickly at a mere $40-$45 each, just don’t wear the friggin soles off, OK?

They are  exclusively offered in-store at Opening Ceremony’s top locations in NYC, Los Angeles & Japan, you can also find them online at: OpeningCeremony.us #Enjoy!

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